Happiness 10-27
lying in the hammock while leaves fall around you; Three Sisters in the Blue Mountains, New South Wales; the gift of enjoyment.
lying in the hammock while leaves fall around you; Three Sisters in the Blue Mountains, New South Wales; the gift of enjoyment.
wild roses still blooming in late fall; the temple of Demeter near Thermopylae; the first kiss.
Snake River; meeting a friend in Port Said; the sweetness of wild honey.
Monet’s ‘Haystacks in Winter’; going to bed at dawn; a brilliant deduction.
watching the tide come in at Mont St. Michel; surrendering to peace; fresh olive oil from a barrel.
a mandala from Kas Mountain; being steadfast and true; polishing a silver punch bowl.
a fire in the hearth in the early morning; Qarawiyin Mosque in Fez, Morocco; pumpkin pie.
discovering a fresh mountain spring; being appreciated; making plans for the weekend.
lost in a corn maze; polishing the mirror; St Brigid of Kildare.
baby dragons; learning a part for a play; confidentiality.
the fox on the hill; Haleakala Crater; sharing stories late into the night.
bicycling through Normandy; an old friend from high school; the geese lifting off into the sky.
crystal slippers; the moment when rain turns to snow; appreciation or a job well done.
WriteSpa – An Oasis for Writers
Just as in life itself, there are three key components to every story, no matter how short or long, or simple or complex: People. Space. Time. In other words, characters, situations, events. For a story to work well, all three of these have to connect with each other in a relevant way. If you include an event that has nothing to do with the story, it is obviously disposable. The same with dialog: Wherever you include dialog, it has to be relevant to the unfolding of the story. If it’s not relevant, cut it out.
visiting friends in Monaco; contentment writing a love letter to yourself.
fresh licorice; the sun setting behind pine trees; crossing the Shinkyo Bridge in Nikko.
freshly-pressed apple cider; traveling across Greenland; letting go.
tracing his eyebrows; hundreds of squirrels rustling the leaves; sleeping in the hammock.
the petroglyphs at Sproat Lake; the fragrance of old mint in the garden; setting off for home.
Bartholomew’s Cobble at dawn; the rocking chair on the front porch; Indian summer.
tracing a map; the sweetness of dawn; climbing up the oak tree and hiding there.
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How long can she hide the shattering secret that puts her life in danger?
In the peaceful New England countryside, a shot rings out… and a pretty farm girl disappears with a scandalous secret that could destroy a political empire. A year later, she resurfaces as Lark Chandler, with a stunning new face and a glamorous identity. With one goal in mind – revenge – she moves from the decadent playgrounds of the European jet set to the thrilling, high-pressure world of Hollywood, where she dazzles the film industry and ignites the passions of handsome movie executive Dom Whitfield.